Showing posts with label Edmond Fortier. Show all posts
Showing posts with label Edmond Fortier. Show all posts

Thursday, 16 January 2014

Senegalese Men’s Robes – some early C20th images.

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“Trader from Cayor”, circa 1910, photographer Edmond Fortier.  Indigo resist dyed robe.

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“Allioune Sô, chief of the Fulani of Sine”, circa 1910, photographer Edmond Fortier.

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“Wolof chief and his griot,” circa 1910, photographer Edmond Fortier.

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“Fulani chief” circa 1900, photographer Edmond Fortier.

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“Thiès. Three elegant men” circa 1900-10, photographer/publisher E.H, Thiès.

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“Thiès. Young Wolofs”, circa 1900-10. Photographer/publisher Harimann.

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“Dakar (Senegal). Senufo types” circa 1900-10. Photographer/publisher Albaret.

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“West Africa. Arrival of a Grand Marabout” circa 1900-20, photographer unknown. A marabout is an Islamic scholar and teacher.

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“Dakar. Senegalese man, festival dress” circa 1900. Photographer/publisher P.H. & Co.

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“Dakar. Senegalese students.” circa 1900-10. Photographer unknown.

All photos author’s collection.

Friday, 7 June 2013

More images from old Dahomey

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“Féticheuses du Caméléon” – vintage postcard, circa 1900-10. Republic of Benin.

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“Chef du Canton d’Abomey” – vintage postcard circa 1900. Republic of Benin.

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Former Amazons (redoubtable warriors) – vintage postcard, circa 1900-10, photographer Edmond Fortier.  Republic of Benin.

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“Group of Fetish chiefs.” – vintage postcard, circa 1900-10, photographer Edmond Fortier.  Republic of Benin.

Click on the images to enlarge.

Wednesday, 30 March 2011

Edmond Fortier and textile production in West Africa, 1900-1910

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Edmond Fortier (1862-1928) was one of the most prolific photographers and postcard publishers active in West Africa in the early years of the colonial era. Based in Dakar, he published around 3,300 different postcards between 19808 and 1910, with numerous re-issue series subsequently. His work is quite well known and more details and examples may be found on these websites: Centre Edmond Fortier and The Postcards of Edmond Fortier. Here I want to focus on aspects of textile production at that period as shown in a small number of his photographs. Click on any picture for a larger view.

The first three photographs were taken on a journey Fortier made through the Futa Djallon region of Guinea in 1905, and are to my mind, among the most beautiful of his images. Above is a group of women spinning cotton, below a man weaving and some women dyeing with indigo. Note the woman at front left of the dyeing photo who is beating the dyed cloth to give a glazed finish.

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A second series, taken in the area of what is now Mali, probably 1905 or 1906, shows the stages of cotton preparation and weaving.

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Ginning the cotton to remove the seeds.

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Carding to align the fibres.

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Spinning the cotton thread.

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Weavers at work. Note the wheels of woven cloth strip carried by the man at left.

Below are the other weaving related images by Fortier that I am aware off. There may be still more that I have yet to locate.

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In the above photo, captioned Dakar, a weaver is preparing his warp threads stretched out along the fence at left side.

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Spinning cotton. Most spinning in West Africa was done by women, but in some areas men also spun.

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A beautiful image of weavers shaded by a tree.

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Looms in an urban Senegalese setting. We can note the different structures used for the Senegalese looms compared with those in Mali and Guinea shown above.

At this period French colonial authorities in West Africa attempted to finance their administration through a poll tax which, as few people had access to coinage, was also payable in cloth strips or wrappers (pagne.) The two photographs from Mali below give a glimpse of the scale of this process.

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Finally, to give an idea of how woven cloths were worn, are four images showing aspects of dress in this region of West Africa 100 years ago. As is, albeit to a lesser extent, still often the case today, locally woven cloth was worn in conjunction with imported fabric for both ceremonial and everyday wear.

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