Revisiting some exceptional Bondoukou textiles from Ivory Coast.

Agnibilécro - Kangah, Chef Agnis. Postcard photographed by G. Kante, circa 1920. The seated ruler wears a Bondoukou style cloth. Author's collection.

This post features an important and very rare group of cloths from the north eastern part of Cote D'Ivoire, around the town of Bondoukou. Stylistically and historically related to the well known Ewe and Asante cloths of Ghana these distinctive early C20th cloths are previously undocumented and not represented in museum collections (except a few we have sourced in recent years.) They represented an important stylistic and historical link between the textiles of Mali and Ivory Coast and those of Ghana. The area we found these cloths is sparsely populated and it would appear that most existing examples have now been collected. For more information please see my article on Bondoukou cloths from Hali magazine, 2008, now online here.

fr473 - One of a very small number of museum quality Bondoukou men's cloths that we have collected over recent years, this subtle and beautiful piece uses complex blocks of coloured weft threads muted by the predominant indigo warp as the sole decorative effect. Although this is a very old decorative technique found in some of the earliest Ghanaian textiles the sophisticated effect achieved here by varying the colours and the placement of blocks is to my knowledge unique. More details here.

fr479 - This rare men's hand spun cotton wrapper cloth illustrates a style of weaving in the Bondoukou area with simple, almost rustic, geometric weft float motifs bordered by weft faced blocks in bold simple colours. Very few complete man's cloths with this degree of pattern have been collected and this example is in great condition, with a single small patch on a worn edge. Dates from about 1950. More details here.

fr474 - Superb men's hand spun indigo-dyed cotton ground wrapper cloth collected in a village in the vicinity of Bondoukou in northeast Côte D'Ivoire. One of the finest of the small number of top cloths from this area we collected in 2006 and 2007 when these textiles first began to become available. This exceptional piece was published full page in Hali #157, Autumn 2008. Regular lines of colour across the cloth are created by weft faced bands on alternate strips that are joined by narrower pairs of weft stripes on the other strips. At the centre the design is expanded into a row of complete pattern blocks in which weft faced bands frame supplementary weft float motifs. These motifs, which differ in form from Ghanaian styles, include two animals. The layout of pattern in bands across the field of the cloth separated by undecorated areas is a design that would not occur on Ewe or Asante weaving. More details here.

fr502 - Superb early example of man's wrapper cloth from the Bondoukou region. Illustrates two of the distinctive aspects of pattern layout within this tradition that differ from those of the Asante and Ewe in Ghana, namely a focus on the centre of the fabric and an alignment of patterns in rows down the cloth (rather than the chequerboard type layout typical in Ghana.) This exceptionally fine piece appears to be among the earliest we have seen from the Bondoukou area. Woven with a hand spun indigo dyed cotton background with very subtle balance of warp and weft stripes. More details here.

Click on the photos to enlarge. For more of our collection please visit our gallery online here.

Ivory Coast Chiefs: some images from the Smithsonian Elisofon Archives

Baule dignitary N'Goran Koffi with his linguist and elders, Kouassiblekro, Ivory Coast, Baule dignitary N'Goran Koffi with his linguist and elders, Kouassiblekro, Ivory Coast, Eliot Elisofon Field photographs, 1942-1972 [slide].eepa_01519.jpg (1230×840)

Kyaman chiefs and notables, Anna village, Ivory Coast, [slide]. Contained in: Eliot Elisofon Field photographs, 1942-1972 The photograph depicts Ebrie (now Kyaman) dignitaries wearing prestige clothes and regalias. .eepa_01546.jpg (1230×840)

 

Dan men wearing hat called tarboosh, Man region, Ivory Coast.The photograph depicts three men wearing black and white robes of locally woven cloth. Their red hats, Tarboosh, are similar to those worn by other Moslems further north. This photograph was taken when Eliot Elisofon was on assignment for Westinghouse Film and traveled to Africa from October 26, 1970 to end of March 1971. eepa_02708.jpg (840×1230)

Click on the photos to enlarge. For many more please explore at the Smithsonian Eliot Elisofon Archives here.

Cloth of the month–an exceptional Bondoukou man’s cloth.

fr473 - One of a very small number of museum quality Bondoukou men's cloths, this subtle and beautiful piece uses complex blocks of coloured weft threads muted by the predominant indigo warp as the sole decorative effect. Although this is a very old decorative technique found in some of the earliest Ghanaian textiles the sophisticated effect achieved here by varying the colours and the placement of blocks is to my knowledge unique. One strip is missing from each edge (they were likely removed because they were excessively frayed) but the cloth is otherwise in very good condition with no patches, holes, or stains. Dates from C19th or early C20th. Measurements: 118ins x 71ins, 300cm x 180cm. PRICE: Email for price.

Bondoukou is in the north east of Ivory Coast, not far from the border with Ghana. Culturally and historically  it shares many features with the nearby Brong-Ahafo region of Ghana, such as small Akan kingdoms and chieftaincies ruling primarily farming peoples and significant communities of Muslim traders of Malian ancestry. The textiles of this region, as I discussed in my article in Hali magazine a few years ago, now on my website here, share features with both Asante and Ewe cloths from Ghana and with Ivoirian cloths of the Guro and Baule.

Two cloths from the collection of the Museum de Kulturen, Basel, published in the important exhibition catalogue Woven Beauty: The Art of West African Textiles edited by Berhard Gardi (Basel, 2009) illustrate the early use of the same technique.

This cloth, collected in 1840, is the oldest documented kente in the world. Here red, yellow, and blue weft stripes are muted by the white warp. The author notes that it may be attributed to either an Asante or an Ewe weaver – although I would suggest the red edge strip is strongly indicative of an Ewe origin.

This second piece, collected in 1886, is attributed by the author to the Asante on the rather weak grounds that the collection location is nearer Asante than it is to the Ewe. It is closer to our cloth in that indigo and white stripes are used in the warp although the variety of weft colours is still much less, and the pattern layout much less sophisticated. Click on the photos to enlarge. More Bondoukou cloths on our website here.

Minimal Four–another Bondoukou men’s cloth

In this series of posts I will highlight some rare West African textiles where the elaboration and complexity of design that usually typifies high status textiles is replaced by a more minimal aesthetic….

fr505 - Superb man's cloth from the Bondoukou region with very unusual and subtle minimal design. On a neat hand spun indigo dyed cotton ground the weaver has carefully aligned rows of narrow diamond shaped supplementary weft float patterns. On the second to last row from the bottom of the cloth the colours are reversed. In excellent condition. Dates from early C20th. Measurements: 110ins x 76ins, 280cm x 193cm.

Click on the images to enlarge.

For more information please visit our gallery of Ivory Coast textiles here

Minimal Three – Bondoukou man’s cloth

In this series of posts I will highlight some rare West African textiles where the elaboration and complexity of design that usually typifies high status textiles is replaced by a more minimal aesthetic….

FR527 - Unusual man's cloth from the Bondoukou region of northern Ivory Coast with a simple but graphically strong design of blocks of blue and yellow wefts on a background of white and blue hand spun cotton. This is the only white ground men's cloth I have seen, although we have collected several smaller white women's cloths. In excellent complete condition, dates from circa 1930-50. Measurements: 100ins x 66ins, 255cm x 169cm.

Click on the images to enlarge.

For more information please visit our gallery of Ivory Coast textiles here

African Textiles in Africaniste Art–an unusual case.

Marché en A.O.F. signed J.B. Vettiner, 1931. [click all images to enlarge]. From Christie’s sale The Africanists, Amsterdam 1 July 1998. Oil on canvas, preparatory work for a mural painted in the pavilion of the city of Bordeaux at the 1931 International Colonial Exhibition in Paris.

Although this is in most respects a typical colonial genre scene of no outstanding merit, it is unusual because of the detail and accuracy with which the artist has depicted the textiles worn by the participants. Moreover the textiles shown are in several instances extremely rare styles not well represented even in French museum collections. I am intrigued to find these cloths shown in this context and can’t help wondering if they have survived in an obscure French collection, perhaps in Bordeaux, to this day. The scene was clearly not drawn from life – there is no suggestion in the limited biographical information available on the artist, Jean-Baptiste Vettiner (1871-1935), that he travelled in West Africa, and the cloths shown are far too elaborate and expensive to have been worn by porters in the market. Gathering cotton was a frequent theme of colonial imagery as the postcards dating to circa 1910-20 below show.

So what can be said about these cloths ? The image below numbers the main pieces.

1. Wool kaasa blanket from Mali, of the lanndaaka type, with the central motif of the mosque, lanndal, woven by a maabo weaver. Shown  wrongly worn vertically as a kind of hooded burnous rather wrapped horizontally. The kaasa lanndaaka below is in the National Museum of Mali, Bamako – see Textiles du Mali, Bernhard Gardi, 2003.

2 and 4. Indigo dyed cotton cloths with white warp stripes at the selvedge of each strip and coloured supplementary weft float motifs are typical of the Bondoukou region on the northern part of the Ghana/ Côte D'Ivoire border, where they were woven by Dioula, and perhaps Abron or Koulango weavers. The cloth below is on our gallery.

3 and 6. These are really obscure types, related to weft faced cloths woven in West and north west parts of Côte D'Ivoire by weavers who may be Guro, Mande or Dioula, working in a number of as yet undocumented local traditions. The Musee Quai Branly in Paris has a superb collection of related pieces, although unfortunately largely without much useful collection data. Search for Côte D'Ivoire  in their textiles collection database to see more. They have the piece below as Senufo but that is unlikely as the Senufo learned weaving from the Dioula in the early decades of the C20th.

5. Also from Côte D'Ivoire this cloth is an example of a slightly better known but still rare style that we believe to be the work of Guro or Mande weavers. The example below is on our gallery now.

7. One of the more unusual types of Malian blanket, the arkilla bammbu would have been used as a prestige display hanging for a Fulani wedding and is most unlikely to have been worn at all. The detail below is from a cloth in the National Museum of Mali, Bamako – see Textiles du Mali, Bernhard Gardi, 2003.

8. This cloth has embroidered rather than woven decoration, probably the work of a Hausa embroiderer in the north of Côte D'Ivoire. I know of only one related example of this style on a man’s wrap cloth (rather than robes and trousers). Now in the Karun Thakar collection (www.karuncollection.com) it was acquired in Accra and probably collected in northern Ghana.

Hand woven textiles in Cote D'Ivoire today..

Côte D’Ivoire is home to a fascinating diversity of textile production traditions, the vast majority of which have hardly begun to be researched. Aside from the tie dyed raffia cloths of the Dida people, most of which incidentally are actually very newly made for export sale, the collectors' market has paid little attention to Ivoirian fabrics. Over the past decade the Civil War and the uneasy peace in a divided country that has followed have made further research difficult or impossible. For this reason I was very interested in the glimpses of contemporary cloth production and use provided by the photos and short texts in a newly published book. Somewhat misleadingly titled "Arts au feminin en Côte D’Ivoire", edited by Philippe Delanne, (le cherche midi, Paris, 2009) this is a glossy government endorsed survey subsidised by the UNFPA. Alongside printed fabrics it shows people at celebrations and events wearing a wide variety of locally woven cloths. By the far the most widely illustrated are modern Baule ikat dyed cloths as shown in the first photo.
The Baule are an Akan people who migrated to their present location in central Côte D’Ivoire from Ghana in the C16th but seem only to have learnt weaving from their Dioula neighbours in the early to mid C20th. Note the standing posture of the weavers in the photo, unlike the seated style of the Asante and Ewe in Ghana. The book notes that there are around 300 weavers in a cooperative group in the village of Bomizambo 45km from Yamoussoukro.

In contrast to the Baule, the weaving of the Dan people in the central western part of the country is very obscure. Perhaps surprisingly given the attention paid to Dan masks and sculpture I am not aware of any published images before this that show Dan textiles and weaving.

Some modern Gouro cloths worn for a wedding. The lady in the centre is wearing a Baule cloth, but the woman at the left and 2nd from right wear complex weft float decorated Gouro fabrics.

Finally, a Malinké masquerader near Bondoukou wears a modern Abron cloth.

For a selection of our vintage textiles from Côte D’Ivoire see here and for further reading see here