Fante Asafo Flags on display in Genoa

As part of the exhibition “The Wonders of Africa: African Art from Italian Collections” that opens today at the Palazzo Ducale, Genoa, sixteen exceptional Fante Asafo flags will be on display until 5 June 2011. Drawn from an important private collection, this selection highlights the artistry of Fante flagmakers working in the first half of the twentieth century. Please do not reproduce the images below without permission.

There is an excellent publication “Asafo” by Federico Carmignani that illustrates the collection and introduces new research. Text is in English and Italian. Available from the publishers here.

If you are interested in collecting Asafo flags please take a look at my earlier post on real and fake flags here and the selection in our gallery here.

Ancestral indigo cloths of Saint-Louis

Ceremonial shawl, Senegal, early C20th. (private collection, London). Click any photo to enlarge.

To mark the current ceremonies for the 350th anniversary of Saint-Louis, Senegal, I am looking today at one of my favourite types of West African textile, the intricate resist-dyed indigo shawls that were once a speciality of Wolof women in Saint-Louis.

Since the late C16th Portuguese settlers on the Cape Verde archipelago organised enslaved weavers from the Guinea coast to produce strip woven cotton textiles that were a vital commodity in the trading strategies of Portuguese trading posts along the West African coast. The most complex of these panos (pagne, cloths) had designs inspired by Hispano-Moorish textiles from the Iberian peninsular adapted to the narrow-strip weaving tradition of West Africa. They were the design forbearers of the Mandjak weaving tradition noted in the previous post. Most of the published literature on these textiles is in Portuguese but there is an important recent article by Carlos F. Liberato “Money, Cloth-Currency, Monopoly, and Slave Trade in the rivers of Guine and the Cape Verde Islands, 1755-77,” online here

	Af1934,0307.194, Beving Collection, British Museum. circa 1900.
	Rare view of a Cape Verde panos in use, worn at a batuque dance. Detail of a vintage postcard, circa 1905, authors collection.

The Senegalese indigo dyed cloths we are looking at here seem to have developed from attempts, perhaps in the nineteenth century or even earlier, to replicate these complex and expensive woven design using a cheaper embroidery resist technique. drawing on long established traditions of more simple tie dyed cloth patterning in the Senegambia area. Imported cotton cloth, often cut up into narrow strips for patterning, or with patterns that echoed the narrow strip designs, were embroidered by hand with intricate motifs. The cloth was then dyed in indigo, and as a final stage, the embroidered motifs cut away with a razor blade or sharp knife, to leave white designs on a blue ground.

	Illustration of embroidered resist technique. Click to enlarge. From the catalogue “Teinture, expression de la tradition en Afrique noire” (Musee de l’Impression sur Etoffes de Mulhouse, 1982)
	British Museum photo showing various stages of production. Af1934, 0307.351

The result of this laborious and painstaking work were some of the most beautiful of West African textiles.

	Ceremonial shawl, Senegal, early C20th. (private collection, London.)
	Ceremonial shawl, Senegal, early C20th. (author’s collection.)

Below are a series of early C20th images from vintage postcards that show the cloths in use…..

Mandjak Textiles exhibition in Saint-Louis, Senegal

“Saint-Louis du Sénégal

Salle de conférence de « La Maison Rose »

10 décembre - 31 décembre 2010
Exposition « Pagnes … Panos »

Pagnes … Panos … est une exposition itinérante de textiles d’une tradition pluriséculaire appelés « pagnes Mandjak ». Organisée par Maï Diop, designer textile française installée à Saint-Louis depuis 12 ans, cette exposition fait l’objet d’un intérêt croissant des amateurs, collectionneurs et musées. Une sélection de 4O pièces venant de Guinée Bissau, du Cap vert et du Sénégal où Saint-Louis capitale de l’élégance est très représentée, a été choisie parmi la collection de l’organisatrice.

Cette exposition se distingue par la richesse tant au plan des techniques employées que de la finesse des pagnes : supports d’affectivité, de superstitions et de noblesse, ces majestueuses étoffes sont produites par d’excellents tisserands encore aujourd’hui.

Dans le cadre des célébrations de Saint-Louis, dont l’année anniversaire des 350 ans touche à sa fin, cette exposition est une invitation à découvrir et à porter un nouveau regard sur ces textiles africains : ils ont les qualités des femmes qui en dirigent la production : l’élégance, le dynamisme, la créativité. “